Archive for Music And Dance

Singapore’s tvN K-POP Star Hunt

Singapore, Oct 22 – 100 aspiring K-Pop superstars showcased their vocal prowess and slickest dance moves in front of the tvN K-POP Star Hunt’s panel of judges, Mr. Eddy Tan, Vice President, Programming of tvN, [V] and Star World, Fox International Channels (FIC); Mr. Park Jae-Hyun, General Department Head of Rookie Development Division, CUBE Entertainment; and Singapore guest judge, television personality and actress, Ms. Irene Ang.
Based on their personal style, soulful croons, polished choreography and the
‘superstar’ factor, the top 20 contestants will move on to the final round
of competition tomorrow, where the top two will be selected for
professional training with CUBE Entertainment and compete in the finals for K-Pop  superstardom!

The atmosphere at StarHub Green was tense as each contestant took their
spots in the holding area, warming their vocal chords, or further perfecting
their dance moves. There were others who huddled together with their
family members and friends for additional emotional support, as they nervously  awaited their turn to perform.

Ranging from ages as young as 12 to 28-year olds, the superstar hopefuls
shared their dreams and aspirations with organisers, gushing over the
opportunity to train with CUBE Entertainment, the entertainment
management company which has churned out Korean powerhouses such as BEAST, 4 Minute and G-NA. Many passionate fans even chose to pick up the Korean language to better articulate their singing and to understand the conversations and  chatter on Korean variety shows as well as in their favourite Korean drama series.

Said one such fan, Ms. Fu Qiaohan, 16, a student at Zhonghua Secondary
School, “I picked up the Korean language two years ago so that I could
reduce my dependency on subtitles whenever I watch Korean programmes. It
has also helped me to relate to some of the puns and play on words that are
spoken in these programmes. This way, nothing gets lost in translation.”

Eddy Tan, who sat amongst the esteemed panel of judges, was awestruck by
the quality of performances. He remarked, “I’m really amazed by the quality
of the contestants! Some of the performances really blew me away. Not only
did the contestants’ ability to sing and dance impress me but many of them
were also effectively multi-lingual with a handful able to speak Korean
proficiently.”

Singapore guest judge Irene Ang, who is also the CEO and founder of
Singapore’s pioneer artiste management company FLY Entertainment Pte
Ltd, was especially specific in her selection with only the most outstanding
and well-rounded contestants receiving the top marks. She explained, “We are
looking for contestants that we feel best represent Singapore and are
able to perform well even on an international platform. We look beyond the
performance and also take into consideration the potential of each
contestant. Talent is also key.”

“We are looking forward to the finals tomorrow where competition will be
even tighter,” Ang added.

The top 20 contestants will gear themselves up for the final round of
auditions which will be held tomorrow, Sunday, 23 October at Square 2,
from 2pm onwards, where the judges will be called on once again to select
their final two. The two contestants will represent Singapore in Seoul, joined
by eight other representatives from Thailand, Hong Kong, Taiwan and the
Philippines. In Seoul, the ten finalists will undergo a boot camp mentored
by CUBE Entertainment and star in a reality series which will air on 31st
December, Saturday, 8pm on tvN (StarHub channel 824) where the next K
Pop Star will be crowned.

Source: www.sprg.com.sg

Lee-Hendrijanto Duo Recital

 

Lee-Hendrijanto Duo Recital
4 August 2011, Thursday, 7.30pm
Esplanade Recital Studio
Tickets at $20 (free seating, $12 for students, $6 with NAC Tote Board subsidy)
For tickets, please contact: deniselee.sh@gmail.com/+6598000797 / +6591067091 (text or call)

Programme:

TCHAIKOVSKY (Arr. ECONOMOU) Nutcracker Suite

DEBUSSY Prélude l’apres midi d’un faune
ANANDA SUKARLAN The Humiliation of Drupadi
BERNSTEIN (Arr. JOHN MUSTO) Symphonic Dances from West Side Story
GERSHWIN-LEE-HENDRIJANTO Original Variations & Paraphrase on ‘I Got Rhythm’ (featuring guests pianists Frances Lee & Song Ziliang)

Come join the Lee-Hendrijanto for an intriguing evening of dance- and drama-inspired music, all expressed through the unique ensemble of two pianos.

You can check out an interview here, where Denise discusses some of the music in detail:

http://pianofortephilia.blogspot.com/2011/07/introducing-lee-hendrijanto-piano-duo.html

Lecture-demonstration by choreographer, researcher and performer Garrett Kam

Featured Lecture-Demonstration:

Transforming Tradition – The Role of Research in Creating “Wayang Sampur-na”

By Garrett Kam

This lecture-demonstration offers a discourse on Garrett Kam’s creative process as a choreographer, researcher and performer of “Wayang Sampur-na”, an autobiographical work of cultures studied and places visited by the artist since 1975. As a result, it is evolving and changing with his experiences. In this session, he will be talking about his ongoing research in traditional Asian dances and how the different dance styles provide inspiration for new choreographies, incorporating his recent experience from a workshop conducted a week earlier with NAFA students.

REGISTER NOW to secure a seat at the lecture-demonstration.

“Wayang Sampur-na”

- Story

In “Wayang Sampur-na: Epic Turning Points” created in 2010 and performed by Garrett Kam, sampur (Javanese dance sashes) are given new meanings for telling important scenes from the Ramayana epic of devotion, separation and reunion in a sampurna (ideal, pure) way.

- Props

Performing like a Javanese dhalang or solo puppeteer, Garrett creates masks and puppets of characters from sampur as they appear in episodes, animating and pulling them apart as the story unfolds with short narration in English between scenes. This introduces new audiences to the epic and brings another aspect to those who are familiar with it.

- Dance

Mostly danced in the Javanese court style from Yogyakarta, the work also includes choreographic ideas and elements from other parts of Indonesia (Bali and West Java), India, Sri Lanka, Burma (Myanmar), Thailand, Cambodia, Okinawa, China and Korea in addition to some improvisation.

- Music

The opening and closing scenes in this wayang (performance) use Javanese gamelan music, with nine narrative sections done to Javanese and Balinese melodies arranged for Western instruments by Canadian ethnomusicologist Colin McPhee, and Asian inspired film music by Australian composer Elizabeth Drake.

Excerpts of the performance can be viewed at http://www.youtube.com/watch?v=JE0a74CFbTg

About the artist
Garrett Kam has a bachelor’s degree in Art (1976) and a master’s degree in Southeast Asian Studies (1987) from the University of Hawai’i at Manoa (UHM). Garrett studied Javanese dance from 1975 to 1979 at UHM, and from 1979 to 1982 under master teachers KRT Sasminta Mardawa, R Sunartomo, RM Sutamba, RL Prabapawaka and Bambang Pudjasworo in Yogyakarta.

Garrett was the first non-Javanese to perform in the professional group of the Mardawa Budaya and Pamulangan Beksa Ngayogyakarta schools of court dance. Garrett has taught and performed in the USA, Thailand, Cambodia, Okinawa, Korea, Indonesia, Singapore, Taiwan and Sri Lanka. He has also studied Okinawan and Korean dance.

Source: www.nafa.edu.sg

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